Recently, the staff of the film directed by Han Han and starring Shen Teng, Andrew and Johnny exposed 33 unknown details behind the film, allowing you to see the other side of the film.

1. Shen Teng, a car fan, finally rounded up racing dreams.

Before filming, Shen Teng was a racing enthusiast. This time, Shen Teng made a round of racing dreams, directly played a super car god, and got a car. He was also trained by Han Han and awarded a rally qualification certificate.

　

2. Shen Teng’s handsomeness is set off by a large helmet.

In the movie, Shen Teng puts on his racing helmet and gets back into the racing car, which makes people excited. In fact, when shooting, Shen Teng had to order an increase because his head was too big to wear a helmet.

　

3. Zhang Chi and Charlotte’s father are actually the same person?

The role played by Shen Teng is Zhang Chi, and Zhang Chi’s father is Zhang Yang. In "goodbye mr. loser", Charlotte has a worried "stepmother" named Zhang Yang, where Han Han’s movie universe and Mahua FunAge universe meet skillfully.

　

4. The opening is the egg, and Han Han pays tribute to his friend Xu Lang.

At the beginning of the movie, Zhang Chi tells his story about Han Han’s personal racing experience. When Zhang Chi introduced his car idol, the young Han Han and his good friend Xu Lang flashed on the screen.

　

5. The same stadium, the same trick "hit the tree"

In the final battle of Bayinbuluke in the film, the first scene of the commentary is that a player directly hit a tree. This is actually one of the experiences of Han Han’s racing career. On the first day of CRC Xuecheng Station in 2010, Han Han drove his racing car into a tree in the first official rally.

　

6. Mysterious narrator Han Han

In the final decisive battle, Han Han’s voice appeared in the game by way of explanation.

　

7. Play Han Han in a group and kill your own play with your own hands.

In the movie, Han Han appeared mysteriously, playing a passerby who was robbed of his motorcycle by Andrew at the end of the movie. In this scene, Han Han almost took off his helmet and appeared in the movie. After the experiment, he had to wear it because he found that his acting skills were not good.

　

8. The story of Shen Teng and 1246

The "1246" on Shen Teng’s uniform is actually the name of Han Han’s esports club.

Route 66 in Shen Teng’s opening hat and Zhang Fei’s coin-operated game at the end of the movie miss the disbanded Watch Pioneer branch of the 1246 E-sports Club.

　

9. The story of Han Han and Racing Car No.6.

In Han Han’s world, the significance of No.6 car is very special. It was not favored by anyone, but it finally accompanied Han Han to win the driver’s championship in 2012. In the movie, the car that accompanied Zhang Chi from the peak to the bottom and started again was the No.6 car.

　

10. The story behind Andrew’s long hair style

In the movie, Andrew’s long hair is very eye-catching. In fact, this style was put forward by Andrew himself after reading the script, but he didn’t expect to hit it off with the director. Coincidentally, Sun Qiang, the prototype of this role, has long hair.

　

11. Yin Zhengyuan is the navigator of Han Han.

In reality, Han Han and Sun Qiang have been partners for 13 years and participated in numerous competitions. Han Han once said in an interview, "Brother means that you can give your life to each other. Sun Qiang is that I believe him 100%, and he believes me 100%. " In this filming, Sun Qiang, as a member of the team, completed the racing part together.

　

12. Andrew composed poems to pay tribute to goodbye mr. loser.

Andrew reunited with his old friends in the motorcade and improvised poems, which is a tribute to Yuan Hua’s poems. Over the years, what has changed is the hairstyle, and what remains unchanged is Yuan Hua’s criticism as always.

　

13. In order to take photos of racing cars, all the staff will take photos of the race.

Although only Shen Teng and Huang Jingyu had a racing scene in the film, the whole crew took part in the racing training together. Not only Andrew, YIN FANG, Ben Yu and other actors, but also the photography director, recording director, and the production department staff took part in the training to get a driver’s license for filming the whole crew.

　

14. Every actor is a car fan

The main stars are all car fans, and the topic of chatting in their spare time is also inseparable from driving. They are divided into three camps: Shen Teng of the racing drift school, Johnny of the cross-country school, and Andrew of the motorcycle school. When filming in Shanghai, Johnny came to visit the class on a motorcycle and took Shen Teng for a ride.

　

15. Andrew of the Han nationality

Yin, Han Han’s ten-year-old powder, excitedly opened a bottle of wine to drink when he was invited. When shooting, he not only took Han Han’s co-pilot, but also signed the first edition of Triple Door for Han Han, becoming the "idolize winner" of the crew.

　

16. Johnny Andrew netizen face base

Johnny and Andrew, although they don’t have any opposite roles in the movie, have a lot of private encounters. They turned out to be netizens before. Because they both like motorcycles very much, they added WeChat very early, and this is the first time. "Flying Life" also witnessed the precious moment of these two netizens.

　

17. The most "relaxing" scene

In the movie, Shen Teng and Yin Zheng filmed the roller coaster scene repeatedly for one day, which is also the most "relaxed" scene in the movie, because the two people who are afraid of heights don’t need to perform the state of fear at all, so they just have to act in their true colors.

　

18. The most amazing scene

The hilarious pole dancing in the movie was inspired by Han Han’s seeing the steel pipe at the scene. Andrew, who didn’t know it in advance, didn’t know that he was going to learn pole dancing until he came to the set. At first, Andrew was so shy that she couldn’t let go. But when she came on stage after shooting, she was amazing.

　

19. The coach of the team "The Richest Man in Xihong City" is also here.

Manager Ye, who rented a car to Shen Teng in the movie, is also the team coach Wei Xiang in Xihong City. In the film, he wants to shout out "Thank you for your contribution to the team" to Shen Teng and Andrew, and always refers to the team as a team when shooting.

　

20. In order to conquer the devil’s track, build roads before shooting.

The film has traveled more than half of China before finally finding an undeveloped devil track in Bayinbuluke, Xinjiang. In order to meet the shooting requirements, the crew directly hired an engineering team to repair the road.

　

21. Johnny arrived in Xinjiang for the first time and was "rear-ended" by a cow.

The location of the Devil’s Raceway in Xinjiang this time is very remote, and the road is full of unknown conditions. Not only did the creative team get lost in the mountains when they first went there, but Johnny was rear-ended by a cow on the way to the crew for the first time.

　

22. The most expensive "transportation tool"

Shooting drag racing on the four-kilometer plateau, the cliffs that can be seen everywhere make every day’s shooting full of danger. There is a rescue helicopter on standby at any time. If it can’t take off due to weather conditions, the whole crew will shut down and wait, so the expenses will be 20 million to 30 million. Fortunately, after the filming, this helicopter only took everyone to enjoy the beautiful scenery of Bayinbuluke.

　

23. "Love on behalf of the driver" Day Mission

In order to ensure safety, Han Han will personally test the performance of every car in Xinjiang before using it. During the filming process, Han Han took over all the dangerous car scenes, and thus got a vivid nickname called "Love on behalf of the driver". In this generation of driving group, there is also a big-name driver, body double Neil of Tom cruise in Mission Impossible, and a good friend of Han Han.

　

24. The price of a racing car is higher than that of a supercar.

The modification cost of each racing car in the movie is two or three million, which is more than the price of a super sports car. Among them, the No.5 racing car, which was really used by Han Han, was directly transported to the studio after he finished the race from Zhangye in July, and he modified the car sticker and went into battle to shoot. The rugged mountain road in Xinjiang consumes a lot of racing cars, and the loss value alone is several million. The members of the 333 maintenance team can work up to 20 hours a day, constantly maintaining and repairing the vehicles.

　

25.200 racing cars, version 80 design scheme.

In the movie, 200 racing cars were used before and after, and more than half of them needed to be modified and adjusted. Among them, the design of Shen Teng’s car alone was changed to more than 80 versions. The racing suits in the movie are all professional fire-proof racing suits customized in Italy, and each set can directly participate in the competition.

　

26. Control Han Han in detail and take the lead in protecting the environment in Xinjiang.

In order to protect the environment in Xinjiang, Han Han specially ordered the field team to open all the disposable chopsticks packaging bags for eating and distribute them to everyone, so as not to throw them away. Everywhere the crew goes, they will clean up the garbage before leaving, and there are also trash cans on the scene, which will sort the garbage.

　

27. The most virgo crew won’t even let go of the "soil"

After moving from Xinjiang to Shanghai, because the soil of the two places is different, the makeup and props of the crew were shipped back from Xinjiang to the local soil, just to better receive the play. Because the soil on the car is flying dust, which is more delicate than the soil on the ground, the makeup teacher specially scraped off the soil on the car in Xinjiang and brought it back to Shanghai for the makeup of subsequent roles.

　

28. Han Han shoots the most painful memories.

Han Han went to the hospital when he was sick during filming, and he was still full of energy when he came back to the scene to talk about the play while having an intravenous drip. Only at the moment when the doctor took out the oversized needle tube, Han Han’s calm face floated a little panic.

　

29. The most handsome Johnny

Johnny is very lively at the scene, noOnly as an actor director, cue actors in the scene cue process. I also have a part-time job, such as sitting behind the monitor to check the situation on the spot, and shouting from time to time, "The people in front are goofing off! Hey! "

　

30. The most literary stills

When YIN FANG is in Xinjiang, he will carry a camera with him, and then he will record the precious moments on the prairie during the intermission. Recently, he also released his first work in the Weibo, which captured the true handsomeness of Han Han, and was criticized by Han Han (praying) that "I hope no one will open this photo".

　

31. Han Han’s "Tianhou Makeup"

The sun in the plateau of Xinjiang is very poisonous. Everyone has been blackened for several times, and Han Han is wearing "Tianhou makeup". The only one who didn’t get a tan was YIN FANG, who got a direct sunburn.

　

32. Ben Yu’s Inner Mongolia accent hides clever thoughts

Ben Yu didn’t have a driver’s license in the movie this time, so he got the competition photo first. In addition, he also participated in the maintenance training for half a month. After discovering that all the masters in the maintenance department have accents, he also specially designed the Inner Mongolia accent for the role.

　

33. Zhao Wenxuan copied lines for the dramatist.

Zhao Wenxuan, who plays Wan Heping, made a special trip to write down his lines by hand and record them for repeated practice in order to avoid Taiwanese accent. This precious handwritten line was taken by the director, who said it would be mounted in the office.

1905 movie network news The epic film of national mythology is being well received. The director, starring actor, production designer Zhao Shouyi and voice guide zhaonan to Jinan Station, a national tour ceremony, to share behind-the-scenes stories about the relationship between Yin Shou and Master Wen, the props of mysterious birds at the enthronement ceremony, the voices of Lei Zhenzi, a dragon and a tiger and a glutton. The film is directed by Wu Ershan, starring ChristianRandPhillips, Chen Muchi, Na Ran, Wu Yafan,,,, Huang Xiyan, and Chinese’s own mythical epic, which should not be missed.

ChristianRandPhillips revealed the relationship between Yin Shou and Wen Taishi.

Young actors put their hearts and minds into performances.

The film "Feng Shen Part I" was directed by Wu Ershan, starring ChristianRandPhillips, Chen Muchi, Na Ran, Wu Yafan, Huang Xiyan and Shan Jingyao. production designer Zhao Shouyi and voice were used to guide zhaonan to communicate and interact with the audience. When each actor introduced himself, the audience gave warm applause and even shouted out the lines of the corresponding roles, which not only touched the actors, but also touched the director Wu Ershan: "There are many roles and stories in" Feng Shen I ",and each actor can impress everyone in a small performance space, especially the young actors are acting for the first time. I am proud of them."

In the ending egg of "Wen Taishi returns to the DPRK", new characters such as Wen Taishi, Deng Chanyu, and Magic Four Generals appeared, which made people shine. Many viewers were also curious about their relationship with Shang Wang Yinshou. ChristianRandPhillips said with a smile that "Wen Taishi will come back soon to avenge me". He introduced that Master Wen is the elder of Yin Shou and the only person he really fears, Deng.fairJade was brought back to Chaoge by Master Wen. Yin Shou had never seen it before, but he would make good use of these two people. Chen Muchi received a T-shirt with the second creation of "Master Wen returns to the DPRK" printed on the back, and said with a smile: "Master Wen should be at the noon gate of Chaoge City soon, and then he will slowly find that the two gluttons at the door are gone, Priestess of Death Bigan is gone, the Queen Jiang is gone, and the prince is killed, so as to see the truth of all this", which also makes the audience look forward to the plot of the second part.

Many viewers think that da ji, played by Na Ran, is very innovative in character setting and performance style, presenting a pure da ji as an animal. Na Ran was very happy to see the audience’s recognition of his acting skills, and said that all the motives of da ji’s actions were to repay the debt and survive. Director Wu Ershan also pointed out that in the movie, Queen Jiang, Yin Jiao and Bigan tried to kill da ji, the fox demon. She was only in a state of self-protection, and the core of evil was always Yin Shou, in fact, Yin Shou wanted to get rid of those who hindered his desires and ambitions.

Although there are not many scenes in the film, Su Quanxiao is an important scene that embodies proton setting and Yin Shou’s character. Shan Jingyao made a lot of preparations for this, including writing a particularly long biography of Su Quanxiao, and because he likes painting, he painted Su Quanxiao’s various situations and feelings for his family when he sang songs. For example, Su Quanxiao loathed his sister da ji and hated his father Su Hu’s decision to send him away, but he also knew that his mother was very much looking forward to his return home. By establishing these relationships, Shan Jingyao made himself believe in this character more and more. And his play also brought a lot of inspiration to Huang Xiyan. Huang Xiyan said frankly that it was more difficult to ponder after getting the script at first, because Jiang Wenhuan’s state of mind was different at each stage, and he continued to make progress. Later, he saw Su Quanxiao, played by Shan Jingyao, commit suicide on the set, and thought of the precious memories of a group of brothers getting along in the past few months. At that moment, he combined himself with proton Jiang Wenhuan through emotional substitution. Young actors put their hearts and minds into their performances, which undoubtedly touched countless audiences.

The props of "Xuanniao Shengshang" are from Weifang, Shandong Province.

Voice-guided analysis of biological voice of digital characters

The audience at Jinan Station, a national tour ceremony, loved "The First Part of Gods" and gave them good comments in succession. "A well-made masterpiece, with well-chosen actors, is full of stamina after reading it." "Sincerity is always the most touching thing, and I can feel the intention of the whole creative team. From now on, I am the tap water of Gods." "The second brush effect is even more shocking, and the crew can be felt from the drama, actors and art design.

The first part of "Feng Shen" brought many visual wonders to the audience, not only the special effects scenes such as hordes of troops and gluttony, but also the sacrificial scenes such as "Xuanniao Shengshang" in the enthronement ceremony, which was equally refreshing. Wu Ershan, the director, told the audience that the Xuanniao props were specially customized by the non-genetic person who found the display prop production designer Ji Zhaolong to tie a kite in Weifang, Shandong Province. Because the Xuanniao props were large, light and beautiful, the traditional craft of tying kites was adopted to solve the weight problem, and the main structure was tied with bamboo, and then covered with cotton cloth, so that the actors could hold and dance, presenting a mysterious ceremony in the Shang Dynasty.

As a mythical epic film, the first part of "Feng Shen" has thousands of Ma Benteng, thousands of arrows, thousands of people worshipping, and bloody wars and dances, which make the audience feel the immersive auditory impact. When talking about the challenge of sound production, zhaonan, the director of sound, said with emotion that this is a huge workload of sound. I still remember that director Wu Ershan said for the first time in the recording studio that "you need to build a mythical and epic world with sound". Zhaonan, the voice guide, introduced the voices of Lei Zhenzi, Dragon and Tiger and Gluttony to the audience. When Lei Zhenzi spread his wings, the wind thundered, and the audience could hear the thunder rolling, while he held Ji Changfei to Xiqiao, and the voice was mixed with the voice recorded by the dynamic capture actor Pengyi Han, reflecting human emotions. The dragon-bearded tiger is a symbol of justice, and its call mainly uses sperm whales, and it combines the flowing, curved and rhythmic timbre of other whales. The two gluttons in the movie were originally clay sculptures, so they used the twisted sounds of wood, stones and grass sticks to represent their cries. When the gluttonous man jumped off the Yellow River with Ji Fa, the voice guide zhaonan made a contrast between the gluttonous cry and the roar of the Yellow River, hoping to make the audience feel more powerful with the surging momentum of the Yellow River, the mother river of the Chinese nation. I believe that everyone who walks into the cinema can enjoy a thrilling audio-visual feast.

The film "The First Part of Gods" is directed by Wu Ershan and starred by ChristianRandPhillips, Li Xuejian, Bo Huang, Yu Shi, Chen Muchi, Na Ran, this sand, Wu Yafan, Xia Yu, Yolanda, Wang Luoyong, Hou Wenyuan, Huang Xiyan, Li Yunrui, Yang Le and Chen Kun. The film is being shown.

Special feature of 1905 film network 6.758 billion!According to the statistics released by the National Film Bureau, the Spring Festival in 2023 lived up to expectations, successfully surpassing the box office record in 2022 with a box office score of 6.758 billion, and at the same time achieving the second good result in film history.High-quality works with diverse types and styles have also successfully attracted more than 129 million people to enter the cinema again during this Spring Festival holiday.

The total box office brought surprises, and the single-chip performance was equally wonderful.

From the opening of the painting on the first day of New Year’s Day to the end of the sixth day holiday, the two "head" blockbusters successfully crossed the 2 billion mark, and the title winner "Man Jianghong" finally won with over 2.606 billion yuan, and "Wandering Earth 2" gained 2.163 billion yuan. The third place "Bears Come and Go with Me" is the most "unexpected". It entered the third place with 747 million yuan for the ninth time in the Spring Festival file, and ranked fourth to sixth.

In addition, under the condition of the key continuation, the film played a super stamina and won 49.67 million box office, ranking seventh in the Spring Festival file.

The film, which was originally released on the third day of the New Year’s Eve, announced on the evening of the fourth day that it would change its distribution strategy, focusing on point screening, and the schedule was changed to February 17.

The head is super stable: "Man Jiang Hong" and "Wandering Earth 2" both broke 2 billion

The 6.758 billion box office data not only represents the second new record in the history of Spring Festival screening, but also witnessed a real "hundred flowers blossom" in China movies.

Compared with previous years, the 2023 Spring Festival movies are not only significantly genre-oriented, but also more "stable" in market performance. The "Head" blockbusters "Man Jiang Hong" and "Wandering Earth 2" both achieved box office of 2 billion+during the holidays. Excellent quality helped the two works to lead the data fault, but also brought more vitality and topicality to the film market.

Four years ago, the first The Wandering Earth hit the top by opening the first year of China science fiction movies, and the accumulated passers-by helped the sequel easily win the first place in the pre-sale stage. On the first day of its release on New Year’s Day, Wandering Earth 2 also made a strong start, reaching the top of the daily list with 479 million yuan.

Previously, the director, as the representative, had been treading on thin ice whether the audience was still willing to "remain tolerant", and then, with high reputation and high score, Wandering Earth 2 set off discussions on the whole network from the brain-burning plot in the play to the "high-tech equipment" outside the play. Whether it’s the space elevator, digital life, or "China Aerospace Squadron’s over 50-year-old exit", the audience has reason to believe that "Little Broken Ball" really "knocked open" the door of China’s sci-fi film creation in four years.

It consistently ranked second in the box office list, which enabled Wandering Earth 2 to reach nearly 2.2 billion box office on the last day of the holiday. This achievement also surpassed the first The Wandering Earth, helping the film win the sci-fi category champion in the Chinese New Year film history.

"Man Jiang Hong", which was originally followed closely, staged a wonderful and rapid "reversal" without losing the plot on the second day of the New Year’s Day.

The powerful appeal of the "luxury creative lineup" made the film achieve the double overtaking of "Wandering Earth 2" in the next day. And the elements of Tiger Balm comedy, which drove it to successfully realize the "sinking" of the market, made Manjianghong sit firmly at the top of the list for the rest of the holiday. For the audience of the film "Above", there was once a craze for reciting the poem "Man Jiang Hong" and "punching in" Yuewang Temple.

For six consecutive days, the box office exceeded 400 million, and the third and fourth days were significantly "down" for two consecutive days, consolidating and expanding the leading edge of Manjianghong. In the end, the film won more than 2.6 billion box office in the schedule, easily won the 2023 Spring Festival title, and finally predicted that the box office had soared to more than 4.5 billion, which also created the director’s personal best so far.

Multi-film reversal: the best Spring Festival file for genre films to achieve word of mouth

"Stable" is not only the head blockbuster, but also an important factor for the 2023 Spring Festival to achieve a breakthrough in box office performance again.After years of deep cultivation, the series "Bears" has already become the most stable domestic animation IP for the basic disk of the Spring Festival file.

Since the first time in 2017, the box office has exceeded 100 million yuan, and the market share of Xiong Da and Xiong Er has continued to grow during the Spring Festival: after the last year, Cheng Lili ranked fourth in the schedule with 500 million yuan+,this year’s "Bear with You" began to exert its strength from the second day of its release, only behind "Double Heroes", "Man Jiang Hong" and "Wandering Earth 2", firmly occupying the third place in the box office list.

Among them, from the beginning of the fourth day, the film arrangement of "Bears with Me" Bear Core "successfully" reversed "for three consecutive days, which also won more box office for the film.

In 2022, it finally ended with 977 million yuan, creating the highest box office of the series. In 2023, during the Spring Festival alone, "Bears with Me" Bear Core "has already won 747 million yuan, and it is only a matter of time before it leads the series to break through the 1 billion mark. So far, the IP series box office has broken the 5 billion mark.

In this 2023 Spring Festival file, which is phenomenal in data, genre and topicality, other films on the list also have impressive performances.

"Reverse decline" has become the most frequent keyword in the second half of the Spring Festival.It’s not just "Man Jiang Hong" and "Bears Come and Go" by the head echelon. The film Nameless, which was rated as "having a certain threshold for watching movies" and has a relatively bipolar reputation, achieved a "reverse decline" on the fifth day of the Lunar New Year after being relatively weak in the opening competition.

"Deep Sea" with a large number of "tap water" also achieved a "reverse decline" beyond its box office performance in the second half of the fourth and fifth days.

In the end, the two films ranked fourth and fifth with 493 million and 359 million respectively.

What’s even more surprising is that the diversified types have also made a Spring Festival file with the best reputation in recent years. On the online ticketing platform, the scores of six movies in the Spring Festival file have almost remained above 9 points. Among them, the two "head" works have a good reputation, with the scores of 9.6 and 9.4, which confirms the progress of China’s film in story creation and industrialization, and makes the audience feel the greater possibility brought by the market "letting a hundred flowers blossom".

During the Spring Festival, all the film masters also called for civilized and rational competition in the form of collective initiative to promote the healthy development of the industry. And good works have successfully attracted more than 129 million people to return to the cinema during the Spring Festival to witness the new breakthrough of China movies.

The Spring Festival has made a good start, which gives us reason to look forward to a better 2023. We hope that more excellent films will be released in China in the new year, so that more filmmakers can meet the audience at the cinema!

Special feature of 1905 film network In the next few days, the special planning series of the 35th China Film Golden Rooster Award of Today Film Review will follow the footsteps of this year’s Golden Rooster with the audience, and tour the excellent domestic films together. Through the light and shadow, we will look back on China’s self-confidence and China’s strength in the works, and strive for a new journey with the Golden Rooster. This issue focuses on the six best feature films nominated by the Golden Rooster Award. As a new benchmark for China films, what kind of China story will impress the audience?

This year’s Golden Rooster Award for Best Feature Film has been nominated by the jury. Why can they stand out from many films? Yin Hong, a professor at Tsinghua University, said: "These six films reflect the best level of film creation in China in the past year. Military action films include The Battle at Lake Changjin and Sniper, thematic tribute films include Me and My Father, and realistic works include Life Events, Love Myth and Miracle Stupid Child. A wide range of themes and diversified styles represent the main characteristics of China films in recent years. "

The six films nominated are a manifestation of the diversity of China’s films, and you will find that, like Love Myth and Life Events, they are all directors’ first films. After combing the previous Golden Rooster Awards, in fact, few new directors’ works can be shortlisted for the best film lineup. On the one hand, it reflects the phenomenon of successors in China films, and the younger generation of filmmakers began to take over and become the main force of China films; On the other hand, it also shows that the Golden Rooster Award, as a professional award, is selected according to the degree of innovation of artistic works.

Yin Hong said: "Like" Love Myth ",people don’t really believe that it is a debut. Its audio-visual language is so mature, the deployment of actors is very complete, and the actors perform their roles brilliantly, and every scene is very vivid; The whole art scene deployment of "Life Events" is full of fireworks in the process of flowing on the streets of Wuhan. You will feel that the younger generation of directors, due to the richness of the media, are growing and maturing faster than before, and it is easier to talk and integrate with the most advanced audio-visual language and create their own style. "

Love Myth and Life Events are not only directors’ first films in common, but also small-scale films. As a professional award, the Golden Rooster Award pays more attention to the artistic completion of the film on the premise of correct thinking, and has nothing to do with the cost itself. From the market point of view, the six nominated films have performed very well, which also shows that not only the Golden Rooster Award is choosing films with high artistic completion, but now the audience is becoming more and more mature and aware of what a good film is. A really good movie has nothing to do with the cost, but pays more attention to the penetration of emotion and the resonance of the audience.

The nominated Love Myth, Life Events, Sniper, and Miracle Stupid Child, which tells the story of Qian Qian’s desperate struggle outside, have one thing in common, all of which are small-incision narratives. In recent years, China filmmakers have been deepening the people-centered creative orientation. In their works, they don’t necessarily have to describe the great man or the heroic image of Gao Daquan, but more often show ordinary life, including ordinary people in a great event, and how they can play their role in a great historical stage. Yin Hong mentioned: "This also reflects the needs of the audience. Now many ordinary people are willing to watch ordinary people stand up and take responsibility in life, including the courage to face crises, hardships and challenges. These works all have this feature."

In the past two years, we can see that the main melody films have become more and more popular and popular. Among the six best feature films shortlisted for this year’s Golden Rooster Award, there are three main melody films, namely "My Father and I", "Sniper" and The Battle at Lake Changjin, all of which have their own characteristics.

Me and my parents

"My Father and I" is an important tribute work after the founding of the Party for a hundred years. Several directors presented their best and most familiar styles to the audience, and the audience saw a collection of films with different styles in one film.

Snipers

Sniper is a war genre film with a small incision narrative, which reflects the new exploration of China filmmakers in war genre films. Different from the grand war scenes movies in the past, a small battle action can now be made into a genre film, which is gripping and full of twists and turns.

The Battle at Lake Changjin

The Battle at Lake Changjin, on the other hand, is a film that embodies the production level of China’s film industry. It has achieved very high results in characterization, scene design, narrative ability, audio-visual stimulation and impact, and it is really gratifying at the box office. It can be said that The Battle at Lake Changjin has presented the best level that China’s film industry has reached at present.

The finalists of this year’s Golden Rooster Award represent the responsibility and responsibility of filmmakers in the new era to strut, work hard and move forward bravely. In the next journey, what kind of film works will China film workers use to better express the spirit of the times and enhance the spiritual strength of the people? What kind of China story can better impress the audience? Yin Hong said: "The 20th National Congress put forward many requirements in its report, which are to enhance cultural self-confidence and self-reliance and enhance China’s cultural influence. This is an important creative direction for filmmakers. It is necessary to explore the themes that can bring spiritual support to the people in China’s history and reality, and present them in movies. It is necessary to better take root in life, be familiar with history, and better grasp the development context of the big pattern of the times. While highlighting the creation of the main theme, let it resonate with contemporary audiences, and show the world a respectable, credible and lovely image of China through the presentation of these events and characters. "

Golden Rooster and Singing, striding on a new journey, among the six films nominated this time, the most intuitive feeling is the deep feelings of home and country, the warmth of home, and the confidence of the country. At the same time, it also allows us to see China’s past, present and future. I hope that in the future, China will become more and more broad on the road of becoming a film power, and can produce more excellent films to meet the audience’s demand for watching movies, and at the same time show the world the beauty of films that belong to China alone.

On May 17th, during the 2022 World Telecommunication and Information Society Day Conference, China Unicom successfully held the launch conference of innovative achievements of 5G application sailing, and jointly released the 5G private network PLUS scene products "5G accompanying private network" and "5G multi-park private network" with industrial partners, and held the unveiling ceremony of the OPENLAB open laboratory of 5G Internet of Things to promote the 5G application sailing.

Liang Baojun, deputy general manager of China Unicom, said in his speech that China Unicom has implemented the "Sailing Action Plan for 5G Applications (2021-2023)" of ten departments including the Ministry of Industry and Information Technology, focusing on the five main businesses of "big connection, big computing, big data, big application and big security", focusing on "building the cornerstone of 5G computing network, promoting 5G wisdom and gathering 5G ecological partners". 1,500 5G industry virtual private network projects and 5,000 5G commercial industry application projects, covering more than 20 sub-sectors such as steel, mining, education, cultural tourism and medical care, and accelerating the 5G integration innovation from pilot demonstration to scale replication.

Take advantage of the situation and gain insight into the "new track" of industrial digital transformation

Wang Zhiqin, vice president of China Information and Communication Research Institute, pointed out in his speech that the new digital infrastructure represented by 5G is driving the continuous upgrading of production methods, lifestyles and service systems, and promoting the continuous deepening of digital transformation in various fields of economy and society. As a new industry information infrastructure, the virtual private network of 5G industry has evolved from 1.0 to 2.0, realizing the evolution of 5G from ToB general network to customized network of thousands of industries. China Unicom has continuously deepened the private network market and continuously introduced innovative products of 5G private network PLUS scenes, which has achieved fruitful results in the digital transformation of 5G empowerment industry.

In order to continuously accelerate the transformation of 5G applications from "model rooms" to "commercial houses", Wang Zhiqin proposed that the first is to formulate a series of standards for 5G industry private networks and build a cross-border integration landing system; The second is to build a cross-border communication platform and build an application ecological cultivation system for the 5G industry; The third is to establish a "model room" for the application of the 5G industry and establish a publicity and promotion system.

Ingenuity forging, gaining momentum to innovate and develop "new kinetic energy"

The 5G private network has become a "new engine" for the technical integration of 5G vertical industries and communication fields and the high-quality development of 5G applications. At this conference, China Unicom, together with ICT Institute, State Grid Shandong Electric Power Company, Guangdong Bureau of Politics and Statistics, FAW Group, Beijing University of Posts and Telecommunications, Huawei and other industrial partners, released the 5G private network PLUS scene products "5G accompanying private network" and "5G multi-park private network".

Concentrate on the strength and win-win situation. 5G application sails the value of "new blue ocean"

Walking alone is fast, and many people travel far. At this conference, China Unicom, together with partners such as ICT Institute, State Grid Shandong Electric Power Company, Huawei and Zhuhai Gree, jointly released the OPENLAB of the 5G Internet of Things, built a joint innovation technology service platform, and accelerated the consolidation of the application technology foundation of the 5G industry.

5G pilot, sail the future. China Unicom is willing to join hands with all parties in the industry to promote the integration of 5G into thousands of industries and create a new blue ocean of digital economy.

On February 11th, BYD announced at the Eye of the Gods Intelligent Driving Conference that in the next 2-3 years, intelligent driving will become the standard, and all BYD models will be equipped with the "Eye of the Gods" advanced intelligent driving system, and the first batch of 21 models will be listed soon. Among them, more than 100,000 models are standard in the whole system, and most models below 100,000 are equipped. "Eye of the God" is divided into three versions, which are equipped with different brands of BYD models, and it is planned that more than ten models of it will be equipped with Hesse lidar in 2025.

The intelligent driving industry chain has developed rapidly and the hardware configuration has been significantly improved. BYD’s "Eye of God" has more than 10 cameras, and more millimeter-wave radars are used. Industrial chain enterprises such as Heertai, Yutaiwei and Kabeiyi are all involved in the supply, involving intelligent controllers, data transmission, data cables and other products. In terms of cost control, it is estimated that the price of BYD’s intelligent driving system needs to be controlled within 10,000 yuan to maintain market competitiveness, and the addition of DeepSeek technology is expected to help reduce the cost of intelligent driving solutions and promote the comprehensive popularization of intelligent driving.

With the promotion of intellectual driving and equal rights, industry competition intensifies, and price wars may heat up. Car companies need to find a balance between technology research and development and cost control, while facing challenges such as regulations, safety and ethics. CITIC Jiantou Research Report believes that 2025 will be the key node for smart driving to achieve leap-forward development. BYD’s participation is expected to accelerate the penetration rate of smart driving, and the smart driving industry chain is about to enter a golden period of development.

　　2016 is an extraordinary year. Adjusting the structure, promoting reform, and transforming government functions, every step must be determined to swim against the current, and to retreat if you don’t advance.

　　As the prime minister of a big country, how did Li Keqiang spend the past year?

　　This year, he continued to twist the "bull nose" of the reform of "simplifying administration and decentralizing power" to create a clear growth environment for enterprises and people; Promote "mass entrepreneurship and innovation" and make entrepreneurial innovation become a common practice throughout the country; Promote "Internet+government services", so that data can run more and people can run less errands.

　　This year, the "strong rhythm", which is famous for its high efficiency, was staged many times overseas, including four countries in Asia and Europe, the Americas, Laos and Mongolia … … In the rush, he spared no effort to promote international capacity cooperation, and in the face of the downward pressure of the global economy, he realized the complementary advantages and common development of both sides and parties.

　　On the occasion of the New Year, the the State Council client selected 35 photos to freeze the 35 moments of the Prime Minister’s busy work this year. In these moments, it is his figure of being devoted to the country and the people.

　　Prime Minister’s 2016, share with you!

　　On January 4th, Premier Li Keqiang visited Xiaobeiguan shantytown in Taiyuan. He said to the residents here: "I grew up in a shanty town myself and I know your hardships." There are 830 households in this area, only one faucet and one public toilet, and there is no heating and sewer. When leaving, Li Keqiang said to the residents: We must let you live in a new building as soon as possible!

　　On January 5th, Li Keqiang came to Guandi Mine of Shanxi Coking Coal Group and met the miners who had just come out of the well before going down. Among the miners with dark faces, the Prime Minister held their hands tightly and said, "You have been working in the dark underground all the year round, but you have illuminated others. Some people say you are coal sunspots, and I say you are coal Liangzi. Coal workers are not only the backbone of Shanxi, but also the backbone of the country. "

　　On January 25th, Li Keqiang, Premier of the State Council of the People’s Republic of China hosted a forum in Beijing to listen to the opinions and suggestions of the leaders of the central committees of democratic parties, the All-China Federation of Industry and Commerce and representatives of personages without party affiliation on the Government Work Report (Draft) and the Outline of the 13th Five-Year Plan (Draft).

　　After bumping along the rugged mountain road for more than an hour, Li Keqiang came to the home of Wang Qi, a poor household in Banzigou Village, Xiji County, Guyuan, Ningxia on the afternoon of February 1. 70-year-old Wang Qi is paralyzed in bed and can only live on subsistence allowances. The Prime Minister inquired carefully about the distribution of subsistence allowances and reimbursement of serious illness medical insurance.

　　Li Keqiang visited Ningxia Shared Equipment Co., Ltd. on February 2nd. This old foundry state-owned enterprise, founded in 1966, made a revolutionary breakthrough in 3D printing of foundry industry through restructuring and innovation. The Prime Minister praised it for changing from "silly and rough" to "My Fair Lady", showing the integration of "Made in China 2025+ Internet", which is a vivid embodiment of the transformation of old and new kinetic energy.

　　On March 5th, at the fourth meeting of the 12th National People’s Congress, Li Keqiang, Premier of the State Council of the People’s Republic of China made a government work report.

　　On March 16th, Li Keqiang, Premier of the State Council of the People’s Republic of China met with Chinese and foreign journalists in the Great Hall of the People and answered their questions.

　　On March 22nd, Premier Li Keqiang welcomed China to attend the Lancang River in Sanya, Hainan. Leaders of Thailand, Cambodia, Laos, Myanmar and Vietnam shook hands with them and took photos as a souvenir. In 2014, Li Keqiang was in the 17th China — At the ASEAN leaders’ meeting, it was proposed that in China — Under the framework of ASEAN (10+1), explore the establishment of a dialogue and cooperation mechanism between Lan and Mei.

　　On March 25th, Li Keqiang came to the construction site of Hainan Boao Lecheng International Medical Tourism Pioneer Zone to learn about the living conditions of migrant workers. Knowing that a worker earns 9,000 yuan a month, but sends 8,000 yuan back to his hometown, the Prime Minister said that if you scrimp and save to increase family income, the projects built will also benefit more people’s health. You are the pillars of the family and the backbone of the country.

　　"Is there a difference between the six classics recorded in bamboo slips and the existing version? Have you found the Book of Music? " Li Keqiang repeatedly asked questions with great interest when he learned about the research results of "Tsinghua Bamboo Slips" in Tsinghua University on April 15th. The person in charge of the project said that Yue Jing has long been lost, and it is still difficult to determine, but at present, it has been found that there are many differences between bamboo slips and handed down documents, and there are new titles. The prime minister even praised the work as great.

　　On the evening of April 15th, when Li Keqiang appeared in the dining hall of Peking University Agricultural Park, the atmosphere in the whole hall suddenly reached boiling point, and students rushed forward to shake hands with the Prime Minister and take photos. Li Keqiang sat down among the students after choosing the dishes with a tray. From the expensive food in the canteen to whether the state grants are enough, from the accommodation conditions in the dormitory to the topic selection of the students’ papers, the Prime Minister talked with everyone over dinner for more than half an hour.

　　Three years later, Li Keqiang came to Lushan again. On April 24th, he first went to pay homage to the victims and the martyrs who died heroically in the earthquake relief. Li Keqiang walked slowly up the steps, leaned over and gently put a flower on the memorial platform in front of the memorial hall for the "4 20" Lushan strong earthquake. The names of 196 victims were engraved on the table. The Prime Minister bowed deeply in front of the memorial platform and observed a minute’s silence. The scene was solemn and solemn.

　　Three years ago, in the ruins of the Lushan earthquake on April 20, Li Keqiang shook the hand of the villager Gao Pancai and said, I promise to let you live in a new house. On the afternoon of April 24th, the Prime Minister walked into the newly-built three-story building of Gaos, and listened to the owner’s detailed comparison of life before and after the earthquake. The Prime Minister lamented that Sichuanese are optimistic, have the spirit of enduring earthquakes, and are tenacious and unyielding when encountering any difficulties.

　　On the afternoon of April 25th, Li Keqiang came to Jingrong Chuangke Town, Chengdu, Sichuan to communicate with entrepreneurs. Premier was invited to "learn" the skills of badminton robots designed by the entrepreneurial team.

　　On the evening of April 25th, Premier Li Keqiang visited Kuanzhai Lane in Chengdu at night. Just not far into the alley, Li Keqiang was attracted by the signboard of "See Mountain Bookstore", and went straight in, "scouring" books from shelf to shelf.

　　On May 23rd, Premier Li Keqiang filled the fuel tank of a red heavy truck on the assembly line at the new factory of Dongfeng Commercial Vehicle Heavy Truck.

　　On June 12th, Premier Li Keqiang accompanied visiting German Chancellor Angela Merkel for a walk in the Summer Palace. The prime ministers of the two countries met at the East Palace Gate and went to Zhichun Pavilion at the same time, overlooking the Buddha Pavilion and the 17-hole bridge symbolizing the spirit of cooperation. Then I went to the antique Dehe Garden Grand Theatre, where I felt the exquisite craftsmanship and rich cultural heritage of China classical gardens in a natural and human landscape.

　　On June 26th, Li Keqiang walked into the Flying Pigeon Bicycle Tianjin Shengli Road Experience Store. Bicycles of different grades, materials and performances are placed here. Premier came to a carbon fiber bicycle, weighed it, and personally experienced the performance of this super smart bicycle. He said, I would like to advertise bicycles in China, and I would like to upgrade the platform for "Made in China".

　　On the morning of June 28th, Li Keqiang, Premier of the State Council of the People’s Republic of China held a dialogue meeting at Tianjin Meijiang Convention and Exhibition Center with more than 300 entrepreneurs from all over the world attending the 2016 Summer Davos Forum. The Premier responded to China’s economic situation, structural reform, manufacturing upgrading, and financial and capital markets. Li Keqiang emphasized that China will continue to promote the development of the capital market in the direction of marketization and rule of law, improve financial supervision and guard against systemic and regional financial risks.

　　On July 6th, Premier Li Keqiang went to Wuhan Yangtze River embankment to direct rescue and disaster relief. It rained heavily that day, and the Prime Minister ignored the mud on the road and went straight to the piping site as soon as he got off the bus.

　　During Premier Li Keqiang’s visit to Mongolia from July 13th to 16th and attending the 11th Asia-Europe Summit, after the morning meeting, the Prime Minister did not rest, and was still busy summing up his work with the ministers.

　　On August 22nd, Premier Li Keqiang came to Huawu Group of Huangsha Village, Yeping Township, Ruijin, Jiangxi Province to inspect the progress of livelihood improvement projects such as the renovation of dilapidated adobe houses in rural areas. During the inspection, Jiangxi Province issued a yellow warning of high temperature, the highest temperature in some areas exceeded 38℃, and the shirt of the Prime Minister was soaked with sweat.

　　On August 22nd, when the Prime Minister passed a paddy field on his way to Ruijin, Jiangxi, he temporarily requested to stop. He got off the bus and went into the field to see the growth of rice, and randomly asked many farmers along the way about the purchase price of rice this year and the income of farmers growing grain. Li Keqiang told relevant officials accompanying him that the next step is to improve the grain circulation and price mechanism to protect farmers’ reasonable income from growing grain.

　　A sandwich and a cup of coffee is a lunch for Premier Li Keqiang during the East Asia Summit on September 8th. In this series of leaders’ meetings of East Asian cooperation, the Prime Minister’s multilateral and bilateral foreign affairs meetings were arranged in a tight schedule. It was past 1 noon that day, and the Prime Minister had just finished a bilateral meeting, and then he would immediately attend the leaders’ meeting of the "10+8" East Asia Summit. The prime minister’s lunch can only be so fast.

　　On the morning of September 19th, local time, Premier Li Keqiang attended the high-level meeting of the United Nations General Assembly on solving the problem of mass migration of refugees in new york, and expounded China’s proposition on solving the refugee crisis. This is the first high-level meeting to deal with the problem of refugee migration since the founding of the United Nations, and it is also the first time that Premier Li Keqiang took the podium of the General Assembly.

　　On the evening of September 21st, local time, two hours after Premier Li Keqiang arrived in Canada, he attended a family dinner hosted by Canadian Prime Minister Trudeau at the Prime Minister’s residence in Lake Chareton. Before the meal, the prime ministers and couples of the two countries sat and talked by the lake outside the official residence. After a simple three-course dinner, the prime ministers and couples of the two countries returned to the lake to enjoy the sunset scenery and continue to communicate.

　　On the afternoon of September 25th, local time, Premier Li Keqiang visited Fidel Castro, the leader of Cuban revolution. The two sides exchanged in-depth views on Sino-Cuban relations and a wide range of issues of common concern. Li Keqiang’s wife Cheng Hong attended the meeting. After the meeting, Castro specially accompanied Li Keqiang and his wife to visit the outdoor plantation. After the two sides cordially said goodbye, Castro watched the motorcade of Li Keqiang and his wife leave.

　　On the morning of October 10th, Li Keqiang met with Chief Executive Chui Sai On at the hotel where he stayed in Macau. He strolled to the window and stood for a long time, gazing at this hot land of Macau with deep affection.

　　On the afternoon of October 12th, Premier Li Keqiang came to the main venue of Shenzhen National Double Creation Week. Under the demonstration of a head of a hearing-impaired entrepreneurial team, the Prime Minister also made a gesture of "love". Li Keqiang paid special attention to this entrepreneurial team, and was invited to sign his name on the drawing board of "Caring for the Deaf to Start a Business".

　　On October 13th, a laser-cut word "Made in China" was delivered to Li Keqiang in the laser workshop of Shenzhen Dazu. The Prime Minister studied it carefully and said that the craft is very good, but "2025" should be added. The workers have made a smile and took a photo with the Prime Minister. Li Keqiang encourages employees that "Made in China 2025" holds great promise and should shine in your hands.

　　On October 17th, Premier Li Keqiang watched the launch of Shenzhou XI manned spacecraft at the China Manned Space Engineering Command Center in Beijing. The launch was a complete success.

　　On the afternoon of November 2, local time, after Li Keqiang arrived in Bishkek, the capital of Kyrgyzstan, he got off the plane and went straight to our embassy in Kyrgyzstan, where he had been attacked by terrorism, to visit the condolences staff. The Prime Minister instructed that the building should be repaired as soon as possible, and all forces should be coordinated to strengthen security work to ensure the personal safety of embassy staff, family members and overseas citizens.

　　On November 4th-5th, Li Keqiang, who attended the "16+1" leaders’ meeting in Riga, Latvia, held 17 bilateral meetings, which was a "grand slam"! Of course, the busiest core area is the scene where the Prime Minister negotiates with the ministers gathered around during the meeting.

　　On November 7, local time, Premier Li Keqiang and Russian Prime Minister Dmitry Medvedev, who are visiting St. Petersburg, Russia, held the 21st regular meeting between Chinese and Russian Prime Ministers in Constantine Palace, attended the signing ceremony and met with reporters together. Intensive activities lasted from 1: 00 noon to 7: 00 pm. The two "old friends" cordially said goodbye in the snowy night and agreed to meet again in Beijing next year.

　　Shanghai Free Trade Zone is 3 years old. Li Keqiang came here again on November 21st, and visited Shanghai Free Trade Zone for the third time in three years. Since the Prime Minister urged Shanghai to establish a free trade pilot zone in 2013, it has become a "reform highland" in the new era, not only expanding from the initial 28 square kilometers to 120 square kilometers today, but also replicating 10 "reform and opening up experimental fields" in Guangdong, Tianjin and Fujian.

　　On June 19, 2018, the Silk Road International Art Gallery Alliance was established, and national art galleries and key art institutions along the Belt and Road, such as the China Art Museum and the Russian National Academy of Arts, participated in the alliance.

　　[70 Years of Damei Art Exchange Story]

　　On the historic occasion of the 70th anniversary of the establishment of diplomatic relations between China and president, the Supreme Leader of was invited to pay a state visit to Russia and attend the 23rd St. Petersburg International Economic Forum. This is the eighth time that the Chairman of the Supreme Leader has set foot on Russian soil since 2013. The heads of state of China and Russia talked about friendship and planned blueprints at a new historical starting point, which injected a strong impetus into the development of China-Russia comprehensive strategic cooperative partnership in the new era.

　　Over the past few days, a series of colorful artistic activities have been carried out enthusiastically in Moscow, adding a happy and friendly atmosphere to the visit of the Supreme Leader Chairman to Russia and the celebration of the 70th anniversary of the establishment of diplomatic relations between China and Russia. At the China Cultural Festival held in Gil Cultural Center, Russians can not only enjoy tea, sing China songs and listen to China folk stories, but also participate in kung fu and calligraphy workshops. The Great Calligraphy Exhibition between Russia and China, which celebrated the 70th anniversary of the establishment of diplomatic relations between China and Russia, also kicked off in the Russian State Duma Building, where Chinese and Russian calligraphers gathered together. …

　　Since the 18th National Congress of the Communist Party of China, Sino-Russian relations have ushered in the best period in history and become a "model turn" in the relations between big countries and neighboring countries. The Chairman of the Supreme Leader pointed out: "China and Russia are good neighbors linked by mountains and rivers, good friends who help each other and good partners who cooperate sincerely." As a key area of China-Russia comprehensive strategic partnership of cooperation in the new era, people-to-people exchanges have played a positive role with their own characteristics in promoting good-neighborliness and win-win cooperation between the two countries. By holding "cultural year" and "cultural festival" with each other, China and Russia hold activities such as Sino-Russian cultural forum, Sino-Russian Expo and Sino-Russian cultural collection, which makes the cultural exchanges between the two countries closer. Art, as one of the important aspects, has added brilliant colors to Sino-Russian friendship.

　　1. Sino-Russian Art Cooperation under the Belt and Road Initiative

　　Under the grand framework of the "Belt and Road Initiative", China and Russia use culture as the medium, and the level of exchanges is getting higher and higher, and the forms are becoming more and more diverse. China’s ambassador to Russia, AARON Li, published a signed article "Practical Cooperation between China and Russia on the Belt and Road" in the Russian newspaper, saying: "The frequent interaction between professional associations, museums, theaters and art circles in the two countries has greatly prospered the form and connotation of cultural exchanges between the two countries."

　　In recent years, the cultural exchanges between the National Museum of China and Russian museums have increased day by day, and several influential exhibitions have been held successively, such as the exhibition "lev tolstoy and His Times" held in cooperation with Tolstoy’s Jasna Bolena Manor Museum and Tolstoy’s Moscow Museum in 2014, and the exhibition "Echo of the Volga River — — The exhibition of traveling paintings in Trechakov Gallery, and the exhibition "Silk Road and Russian National Cultural Relics" held in cooperation with the Russian National Museum in 2016. In the exhibition "Silk Road and Russian National Cultural Relics", 594 cultural relics, such as costumes, handicrafts and daily tools of major ethnic groups along the Russian section of the ancient Silk Road, were exhibited, from which the audience can see the imprint of cultural exchanges between China and Russia over the past few hundred years and feel the concept of exchange and intercommunication of the Silk Road. These exhibitions have deepened the mutual understanding between the Chinese and Russian peoples, and become an artistic and cultural feast loved by Russian audiences.

　　In June 2018, the Silk Road International Art Gallery Alliance promoted by the China Art Museum was established. National art galleries and key art institutions from 18 countries and regions along the Belt and Road, including the Russian National Academy of Arts, participated in the alliance, which opened up an important channel for art exchanges between countries.

　　China and Russia are both important members of the BRICS countries, and the two sides have maintained close communication and coordination within the framework of the BRICS countries. In recent years, the BRICS Museum Alliance and the BRICS Art Gallery Alliance, in which China and Russian museums and art galleries participate, have been established respectively, laying a solid foundation for promoting and strengthening cultural and artistic exchanges among BRICS countries. Museums and art galleries in China and Russia continue to expand friendly cooperation, use the power of art to promote the building of a community of human destiny, and promote exchanges and mutual learning among the world’s diverse civilizations.

　　In the process of organizing and implementing the "One Belt, One Road" international art project, the National Academy of Painting of China invited painters from many international art institutions, including the Russian Academy of Arts, to participate in the creation, which enriched the performance system of the whole project. In addition, the Sino-Russian art exchange exhibition with the theme of "One Belt, One Road", Russian painters go to Moscow, St. Petersburg and other places to collect wind and sketch, and Russian artists come to China to create exchanges and other activities are dazzling and colorful.

　　2. The art exchange exhibition with climax after climax.

　　In recent years, with the cultural exchange becoming a highlight of Sino-Russian relations, the art exchange exhibition between the two countries has reached a climax, and the social response has been enthusiastic, forming a colorful and beautiful picture.

　　On May 7, 2015, on the eve of attending the celebration of the 70th anniversary of the victory of the Great Patriotic War in Russia and visiting Russia, the Chairman of the Supreme Leader published a signed article entitled "Remember history and create the future" in Russian newspaper, pointing out: "The Chinese nation and the Russian nation are both great nations. At that time, we shared weal and woe and formed an indestructible fighting friendship with blood. Today, the Chinese and Russian peoples will work together to protect peace and promote development, and continue to make their own contributions to consolidating lasting world peace and common progress of mankind. " At every major historical node, China and Russia will talk about fighting friendship through artistic exchanges to commemorate the road of great power relations that has gone through hardships and hardships. In August, 2015, China Art Museum and Russian National Museum and Exhibition Center co-sponsored "Victory: 1945-2015! — — The exhibition of Russian art works commemorating the 70th anniversary of the victory of the world anti-fascist war kicked off. The exhibition brings together the works of several generations of outstanding Russian artists, including 76 anti-fascist classic collections from 12 important Russian art institutions, including the National Russian Museum and the National Central Museum of Russian Modern History. This is the first large-scale centralized exhibition of Russian anti-fascist art works in China. Some oil paintings familiar to the audience in China appeared in the exhibition, which attracted people’s attention. For example, Laktyanov’s Letter from the Front, written in 1962,It was once included in China’s history textbook, depicting the situation that the people in the rear were eagerly looking forward to letters from relatives in front of the battle during the war. This exhibition is in line with the China Art Museum’s exhibition "Casting Soul to Learn from History, Cherishing Peace — — The art exhibition commemorating the 70th anniversary of the victory of the Chinese people’s War of Resistance against Japanese Aggression and the world anti-fascist war echoed each other, forming two highlights of the activities commemorating the 70th anniversary of the victory of the world anti-fascist war. The heroic sons and daughters who fought for the motherland and the world, full of passion and fighting spirit, as well as the painter’s carved brushwork vividly reflect the indomitable and bloody spirit of the Chinese and Russian people, and show the firm determination and confidence of the Chinese and Russian people to cherish history and love peace together.

　　"The true meaning of the revolution is to seek the liberation and freedom of the greatest number of mankind, and Lenin has achieved great success here." — — On November 7, 2017, a silk calligraphy appeared in the "Commemoration of the 100th Anniversary of the October Revolution — — On the October Revolution Cultural Relics Exhibition in the Russian National Museum of History, this is a mourning speech written by Sun Yat-sen for the first anniversary of Lenin’s death. The exhibition is divided into three parts: Great Revolution, People’s Memorial and Sino-Soviet Friendship. With precious historical relics, real historical photos and wonderful works of art, it shows the audience a magnificent great revolutionary struggle, an earth-shaking historical change and a story of Sino-Russian friendship. The exhibition brings together dozens of oil paintings depicting the October Revolution and related major events, including gerasimov’s Lenin on the rostrum, sokolov scalia’s Assault on the Winter Palace and other classic paintings, as well as some sculptures and posters. The exhibition includes 238 exhibits, the vast majority of which are exhibited in China for the first time, including many heavyweight cultural relics.

　　The works of lev tolstoy, a world writer, have long been cherished by the people of China. The first Russian cultural exhibition hosted by the new China National Museum is "lev tolstoy and His Times". In September 2014, Tolstoy’s "A Letter to China People" appeared in this exhibition. In this letter to China scholar Gu Hongming, the writer wrote: "I have always been very interested in the life of the people in China. I try to know what I can understand, first of all, the religious wisdom of China, reading books of Confucius and Mencius and commenting on them. Of course, I also read books about Buddhism in China and about China written by Europeans. " A total of 255 pieces (sets) of exhibits including the above-mentioned letter manuscripts were exhibited in this exhibition, among which oil paintings, prints, sketches, sculptures and other works of art became a highlight. The exhibition begins with the portrait of lev tolstoy painted by Lie Bin and ends with Tolstoy’s tomb painted by Bao shcherbakov in the autumn. The exhibition also exhibited many works of art such as Tolstoy’s novels War and Peace, Anna Karenina and Resurrection. Gorky said that it is impossible to know Russia without knowing Tolstoy. The holding of this exhibition provides a good perspective for Russian audience to understand Russian civilization, and adds a story to the long history of Sino-Russian cultural exchange.

　　In recent years, the number of China calligraphy and painting exhibitions held in Russia has also increased day by day, which has set up a bridge between the two countries to promote mutual understanding between the arts and the people. Among them, "Colorful Beijing Love to Build a Chinese Dream — — 2014 First China Artists’ Creation and Large-scale International Fine Painting and Calligraphy Exhibition ","Ink Focus Entering Russia in 2016 "and" The Light of Chinese Civilization — — A series of exhibitions, such as China Art Exhibition, Famous Artists’ Painting and Calligraphy Exhibition and Shanghai Museum’s Collection of Ming Dynasty Art Treasures, have attracted the attention and interest of local people. It is reported that ordinary Russians have hardly heard of China’s traditional Chinese painting before, and only artists can tell the difference between "meticulous painting" and "freehand painting". However, nowadays, many people in Russia have become lovers of this plastic arts, and they like to deal with ink and watercolor. When talking about the causes of this phenomenon, a China calligraphy and painting enthusiast in Russia said that China’s traditional Chinese painting has its own characteristics, giving people a sense of mystery, and the Russians’ interest in the increasingly powerful China is also one of the important reasons.

　　3. Colorful art activities for the 70th anniversary of the establishment of diplomatic relations.

　　This year marks the 70th anniversary of the establishment of diplomatic relations between China and Russia, which is a milestone and a new starting point. Since the beginning of the year, art exchange activities with the theme of 70 years since the establishment of diplomatic relations between China and Russia have started one after another.

　　On January 6th, Russian artist Sidoroff and China artist Tomus "met" at the China Art Museum. Sidoroff was born in 1928 and served as the chairman of the Russian Artists Association for more than 20 years. His works show the vast momentum of Russia, with poetic lyricism and musical sense; Born in 1932, Tomus is a native of Tumote Zuoqi, Inner Mongolia Autonomous Region, China. For decades, Tomus has been devoted to the exploration of nationalization and modernization of oil painting, and is regarded as the pioneer of "Grassland Painting School". Sidoroff loves China traditional culture, likes Qi Baishi and China’s poems. In modern times, especially since the founding of New China, Russian oil painting has influenced several generations of China painters, among whom Tomus is one. In "Watching the 70th Anniversary of the Establishment of Diplomatic Relations between China and Russia: Hometown — — Sidoroff and Tomus oil painting joint exhibition ",these two elderly people who witnessed and witnessed the Sino-Russian friendship, described the sincere friendship between Chinese and Russian artists in oil painting language.

　　On the eve of the Lunar New Year, the first activity of "Happy Spring Festival" in Moscow in 2019 was "Damei China" — — The Sino-Russian Youth Culture and Art Exchange Festival opened at the China Cultural Center in Moscow. With the theme of "Russia in My Eyes", 50 outstanding children’s paintings and calligraphy works were selected for exhibition. The activity not only enhanced the mutual understanding between teenagers of the two countries, but also made the audience feel the charm of China culture.

　　Both China and Russia are cultural powers, each with a long cultural history and rich cultural resources. From March 15th to May 30th, the "Exhibition of the 18th Century Oriental Prosperity and Emperor Qianlong of Qing Dynasty" sponsored by the Palace Museum in Beijing was held in Moscow Kremlin Museum. The Palace Museum selected 116 pieces (sets) of cultural relics to exhibit, showing a prosperous 18th century Oriental Prosperity, which was welcomed by Russian audiences. As an important cultural exchange activity to commemorate the 70th anniversary of the establishment of diplomatic relations between China and Russia, in August, the Kremlin Museum will hold the "Mu Mu Zhi Yi — — The theme exhibition "Russian Palace Ceremony Exhibition" from Moscow Kremlin is also worth looking forward to.

　　On May 28th, the opening ceremony of the Great Calligraphy Exhibition between Russia and China was held in the Russian State Duma Building to celebrate the 70th anniversary of the establishment of diplomatic relations between China and Russia. China artists brought calligraphy works created on traditional Xuan paper, and performed live calligraphy creation performances, while Russian artists created unique calligraphy works on birch bark and parchment with feather pens and brushes. Ambassador AARON Li said: "The calligraphy exhibition fully embodies the close cultural exchanges between the two sides and shows the enthusiasm of the two peoples to learn from each other’s art." AARON Li emphasized that the Russian Museum of Modern Calligraphy has done a lot of work in developing and popularizing Russian calligraphy and promoting cultural exchanges between China and, and will hold a large-scale exhibition of Chinese painting and China calligraphy in September this year.

　　The colorful art activities have enriched the forms and connotations of cultural exchanges between China and Russia, enhanced people’s understanding and interest in each other’s cultures, and created a rich artistic atmosphere for the 70th anniversary of the establishment of diplomatic relations between China and Russia. Art is connected with people’s hearts, and the ties of art bring two countries with splendid civilization closer and more cordial.

　　(Author: Yu Yuanyuan)

With the increasingly fierce competition in the automobile market, there is a cruel elimination match between automobile enterprises, some of which have been forced to withdraw from the stage, while others are being pushed out of sight by the "big waves".

For example, Roewe, a brand that was once popular in the market with its star model RX5. In 2018, with the help of Roewe RX5, Roewe went to the "highlight" moment with a performance of over 470,000 vehicles.

However, with the rise of new forces and the efforts of various traditional car companies in technology and new products, the labels and selling points of Roewe RX5 are no longer competitive. Since 2021, the sales volume of Roewe RX5 has entered a state of sharp decline. In 2022, the sales volume continued to decline, with a direct drop to "freezing point" in April, with a monthly sales volume of only 1,990 vehicles.

The sales volume of Roewe RX5 has shrunk, which directly affects the overall performance of the brand. In 2021, the sales volume of Roewe was only 348,400, and in 2022 it dropped to 260,000. You know, in 2017, the sales volume of Roewe RX5 alone was 237,000, which shows how much it was affected.

To sum up the decline of Roewe, it is precisely because it relies too much on the sales support of Roewe RX5, and the brand performance is in trouble because the number of vehicles is too single. The decline in sales of Roewe RX5 is due to the "short board" of product strength, which has no advantage compared with the current new energy vehicles and the market competitiveness is greatly reduced.

Fortunately, in the face of successive declines, Roewe also took out its own attitude step by step, stepped up the push of new cars, and strived to catch up.

The latest news shows that Roewe will launch a new car, Roewe D7, this month. The new car is aimed at medium and large cars, and it will launch a DMH hybrid version and an EV electric version respectively. At the same time, the new car will integrate scientific and technological equipment such as Yunsu cockpit and zebra intelligent driving machine system.

From the appearance, the front face of the new car adopts a brand-new inductive design language, which is different from the design of the existing Roewe series products and is more recognizable as a whole. Specifically, Roewe D7 EV and DMH adopt different shapes, and D7 EV adopts the design of closed front face and split headlights. The D7 DMH adopts integrated headlights, and the front air intake grille adopts the extension design elements of left-right expansion and up-and-down support, which makes the vehicle’s vision more spacious.

From the side of the car body, this car is equipped with hidden door handles and 18-inch wheels with low wind resistance, which is more scientific and technological as a whole. In terms of the rear end, the tail shape is round and generous, full and full of tension.

The taillights are slender in shape, with the duckling tail design with the edge of the trunk slightly upturned, which is full of movement. In terms of body size, the length, width and height of the new car are 4890/1872/1510mm and the wheelbase is 2810mm respectively.

In terms of interiors, the two cars are consistent, equipped with an integrated large screen and made of a lot of suede. It is worth mentioning that the seat is decorated with diamond-shaped elements, which increases the sense of advanced vehicle.

In terms of power, Roewe D7 pure electric version was born in SAIC Nebula pure electric platform, which will provide two new Rubik’s cube batteries, corresponding to CLTC comprehensive cruising range of 510km and 610km respectively. In terms of power, the new car will be a VGA six-in-one motor and a permanent magnet synchronous motor with a maximum power of 155kW.

The DMH hybrid version is equipped with a hybrid engine with a thermal efficiency greater than 43% and a fuel consumption of 4.3L/100km. Under CLTC condition, its pure electric cruising range is 125km and its comprehensive cruising range is 1400km.

Write it at the end

As a medium-sized and large-sized car, Roewe D7 combines advanced technology design and diverse power options, which is very in line with the current mainstream. After the new car goes on the market, it will compete with BYD Seal and Deep Blue SL03. It is said that the price will start from 130,000, which is still attractive to consumers.

　　　　"Dedicating to firefighting is a noble realm! Choosing firefighting is choosing dedication. In the face of the baptism of blood and fire, and the test of life and death, firefighting officers and soldiers have rushed to the front line of emergency rescue and firefighting and disaster relief again and again, in exchange for social peace and people’s safety. Standing up, not afraid of sacrifice; heroic and tenacious, living up to their mission; going through fire and water, pursuing excellence… This is the ideological benchmark of firefighting officers and soldiers, and it is also the spiritual motivation and solemn commitment of firefighting officers and soldiers."

　　　　4月29日上午，消防英雄李继文、潘志毅事迹展在浙江省平湖市档案馆爱国主义教育基地举行了揭幕仪式。平湖市消防大队、平湖市民政局、公安局、文体局、教育局以及两位烈士家属等115人参加了揭幕仪式。平湖市委常委王道平出席了仪式。

　　　　揭幕仪式定于上午10时开始，然而9时刚过，社会民众就自发的来到烈士事迹展门口静静的等待。一位姓吕的市民手捧鲜花前来，将花束轻轻放在烈士事迹介绍展板前，并向烈士遗像鞠躬。“李继文是我民兵训练时的教导员，他为人正直，工作敬业，对于他的牺牲我一直深感惋惜。”他这次听说烈士事迹展开展，特意前来献花，以表怀念。

　　　　上午10时整，李继文、潘志毅事迹展揭幕仪式正式开始。平湖市委常委王道平、嘉兴市档案局副局长周军、平湖市消防大队以及平湖市中小学代表都纷纷在仪式上作了发言。他们纷纷表示，一定要立足本职，学习李继文、潘志毅两名烈士舍生忘死、顽强拼搏、无私奉献的精神，今后要用自己的行动为嘉兴市经济建设发展做出应有的贡献。

　　　　两位烈士家属与平湖市委常委王道平一同为消防英雄李继文、潘志毅事迹展揭幕，由公安部消防局谢模乾政委亲笔题词的“人民卫士 浩气长存”映入眼帘。现场响起了经久不息的掌声，代表了人们对烈士的无限敬意。随后，参观者跟随讲解员步入展厅。整个烈士事迹展分为英雄篇、成长篇、奋斗篇、励志篇四个部分，共展出烈士照片99张，实物73件，包括烈士生前所使用过的物品、穿着过的衣物、获得过的部分荣誉，生动地展现了李继文、潘志毅短暂而光辉的一生。

　　　　观看着烈士生前的一张张照片、一件件实物，听着讲解员富有感情的解说，观看着展厅里播放的“烈火双雄”的纪录片，许多参观者流下了感动的泪水。少先队员代表张紫薇说：“我们将以优异的成绩告慰烈士的英灵，他们将永远活在我们心中。”

　　　　再次目睹烈士生前的音容笑貌，在一件件展品中寻找着最珍贵的记忆，烈士家属们感到既悲痛又骄傲。李继文的妻子胡赞希望烈士事迹展能让更多人感受到烈士的精神，学习烈士的责任感，并将这种精神和责任感化为努力工作、认真生活的动力。

　　　　新闻链接：在浙江省嘉兴平湖市委、市政府的精心组织下，历时半年时间，平湖市爱国教育基地李继文、潘志毅烈士事迹展终于落成于东湖风景区环城东路9号，占地约120平方米，投资近二十万余元，烈士事迹展通过展板、文字、图片、实物等，详细介绍了李继文、潘志毅烈士的成长过程及所获得的荣誉，全方位展示了两位烈士的光荣历史和消防官兵不畏艰难，勇于拼搏的精神。

　　　　2007年9月13日凌晨，浙江省嘉兴平湖市林埭镇徐家埭集镇的平湖市林埭镇喜福门木门厂发生火灾。接到报警后，平湖市公安消防大队迅速出警组织扑救。 在灭火过程中，一根断落的电缆线突然砸向官兵，紧急关头，李继文同志奋不顾身冲上前去推开一名战士，自己不幸被电缆线击中，强大的电流把他击倒在河中。潘志毅同志见状急忙冲向前去拉他，也被电流击倒在河中。事发后，李继文、潘志毅被战友们迅速送往医院抢救，因伤势过重，抢救无效，光荣牺牲。